http://rapidshare.com/files/87065880/Portrait_CD08_-_There_is_no_greater_love.rar
01 - My Funny Valentine
02 - Stella By Starlight
03 - There Is No Greater Love
04 - Walkin'
Sunday, January 27, 2008
Portrait CD 7 - No Blues - Miles Davis
http://rapidshare.com/files/87055617/Portrait_CD07_-_No_Blues.rar
01 - Freddie Freeloader
02 - Blue In Green
03 - Someday My Prince Will Come
04 - No Blues
05 - All Of You
06 - Seven Steps To Heaven
01 - Freddie Freeloader
02 - Blue In Green
03 - Someday My Prince Will Come
04 - No Blues
05 - All Of You
06 - Seven Steps To Heaven
Portrait CD 6 - Flamenco Sketches - Miles Davis
http://rapidshare.com/files/87045532/Portrait_CD06_-_Flamenco_Sketches.rar
01 - Flamenco Sketches
02 - So What
03 - Spring Is Here
04 - All Blues
05 - The Meaning Of The Blues / Lament / New Rhumba
06 - Dr. Jekyll
01 - Flamenco Sketches
02 - So What
03 - Spring Is Here
04 - All Blues
05 - The Meaning Of The Blues / Lament / New Rhumba
06 - Dr. Jekyll
Portrait CD 5 - Oleo - Miles Davis
http://rapidshare.com/files/87036225/Portrait_CD05_-_Oleo.rar
01 - Night In Tunesia
02 - Alone Together
03 - Oleo
04 - It Could Happend To You
05 - Nice Work If You Can Get It
06 - Tune Up
07 - Jumpin' With Symphony Sid
08 - I Could Write A Book
09 - Two Bass Hit
01 - Night In Tunesia
02 - Alone Together
03 - Oleo
04 - It Could Happend To You
05 - Nice Work If You Can Get It
06 - Tune Up
07 - Jumpin' With Symphony Sid
08 - I Could Write A Book
09 - Two Bass Hit
Portrait CD 4 - Compulsion - Miles Davis
http://rapidshare.com/files/87026776/Portrait_CD04_-_Compulsion.rar
01 - Compulsion
02 - Wierd Blues
03 - Trane`s Blues
04 - Well You Nedn`t
05 - You`re My Everything
06 - If I Were A Bell
07 - Dig
01 - Compulsion
02 - Wierd Blues
03 - Trane`s Blues
04 - Well You Nedn`t
05 - You`re My Everything
06 - If I Were A Bell
07 - Dig
Portrait CD 3 - 'Round Midnight - Miles Davis
http://rapidshare.com/files/87012004/Portrait_CD03_-__Round_Midnight.rar
01 - Four
02 - The Serpent`s Tooth
03 - 'Round Midnight
04 - In Your Own Sweet Way
05 - It Never Entered My Mind
06 - No Line
07 - The Theme
08 - Ahmad`s Blues
09 - Wee Dot
01 - Four
02 - The Serpent`s Tooth
03 - 'Round Midnight
04 - In Your Own Sweet Way
05 - It Never Entered My Mind
06 - No Line
07 - The Theme
08 - Ahmad`s Blues
09 - Wee Dot
Portrait CD 2 - Rocker - Miles Davis
http://rapidshare.com/files/86984761/Portrait_CD02_-_Rocker.rar
01 - Godchild
02 - Boblicity
03 - Israel
04 - The Squirrel
05 - Lady Bird
06 - Rocker
07 - Rouge
08 - Darn That Dream
09 - Straight, No Chaser
10 - Billy Boy
01 - Godchild
02 - Boblicity
03 - Israel
04 - The Squirrel
05 - Lady Bird
06 - Rocker
07 - Rouge
08 - Darn That Dream
09 - Straight, No Chaser
10 - Billy Boy
Portrait CD 1 - Conception - Miles David
http://rapidshare.com/files/86992918/Portrait_CD01_-_Conception.rar
01 - Move
02 - Budo
03 - Conception
04 - Ray`s Idea
05 - Jeru
06 - Moon Dreams
07 - That Old Black Magic
08 - Deception
09 - Venus De Milo
10 - Max Is Making Wax
11 - Woody 'N You
12 - Half Nelson
13 - Down
01 - Move
02 - Budo
03 - Conception
04 - Ray`s Idea
05 - Jeru
06 - Moon Dreams
07 - That Old Black Magic
08 - Deception
09 - Venus De Milo
10 - Max Is Making Wax
11 - Woody 'N You
12 - Half Nelson
13 - Down
Sony Vegas Pro 8 with Keygen
Download the trial version from the Sony Creative site :
http://www.sonycreativesoftware.com/download/step2.asp?DID=768
Then download the keygen:
http://rapidshare.com/files/87017957/Sony_20Vegas_208.0_20Keygen.zip
http://www.sonycreativesoftware.com/download/step2.asp?DID=768
Then download the keygen:
http://rapidshare.com/files/87017957/Sony_20Vegas_208.0_20Keygen.zip
The Vegas Pro collection combines Vegas Pro 8, DVD Architect Pro 4.5, and Dolby® Digital AC-3 encoding software to offer an integrated environment for all phases of professional video, audio, DVD, and broadcast production. These tools let you edit and process DV, AVCHD, HDV, SD/HD-SDI, and all XDCAM™ formats in real time, fine-tune audio with precision, and author surround sound, dual-layer DVDs.
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Precise Editing Tools
Edit SD or HD video with drag-and-drop functionality, mouse and keyboard trimming, and ripple editing. Features include ProType Titling technology, multicamera editing tools, 32-bit floating point video processing, customizable window layouts, color-coded snapping, improved HDV/SDI/XDCAM support, Cinescore plug-in support, A/V synchronization detection and repair, and auto-frame quantization. More about video editing
Efficient, Professional Workflow
The Vegas Pro 8 interface provides a fully customizable workspace for accomplishing a wide range of production requirements. Dock multiple windows across multiple monitors, and save your layouts to fit specific editing tasks; nest Vegas projects within the timeline, customize and save keyboard commands, and use application scripting to automate repetitive tasks. System-wide media management produces maximum efficiency. Network rendering saves time by using multiple computers and networked drive arrays to render complex projects. Vegas Pro software also supports 24p, HD and HDV editing. More about the Vegas Pro workflow
Superior Audio Control
Use unlimited tracks, 24-bit/192 kHz audio, punch-in recording, 5.1 surround mixing, effects automation, and time compress/expand. Apply customizable, real-time audio effects like EQ, Reverb, Delay, and more. Expand your audio processing and mixing options with supported third-party DirectX® and VST audio plug-ins. Use the Mixing Console for precise audio control. More about audio production
Powerful DVD Tools
Burn Blu-ray discs directly from the timeline for high-definition delivery. Create standard DVDs with multiple video angles, subtitles, multiple languages, and running commentary. Apply Brightness and Contrast, Auto Levels, Crop, and Anti-Flicker filters. Set CSS and Macrovision® copy-protection flags for masters. DVD Architect Pro 4.5 software supports the latest devices, including dual-layer DVD burners. More about DVD creation
Interactive Tutorials New!
Vegas Pro 8 software has a comprehensive help system, as well as detailed interactive tutorials that provide walk-through demonstrations of common features and functionality. These tutorials provide an easy step-by-step method of learning the product and the workflow necessary to complete most common tasks.
Bach Cello Suites - mistlav rostropovich
http://rapidshare.com/files/86875154/Rostropovich_-_Bach_Cello_Suites.part1.rar
http://rapidshare.com/files/86908879/Rostropovich_-_Bach_Cello_Suites.part2.rar
Mstislav Rostropovich is one of the few musicians who can create a larger-than-life experience through the combined forces of exceptional music, a beautiful instrument, and uncommonly facile communicative skills. In his performances of Bach's transcendent masterpieces for solo cello, Rostropovich finds a perfect balance between a romantic, rhapsodic interpretation and one that emphasizes the purely formal "aridity" of Bach's structures. Although it's nearly impossible to isolate one or two highlights, the Sarabande and Prelude from Suite No. 5 are among the most profoundly moving cello performances you will ever hear--the closest we probably will ever come to experiencing through music the soul of both Rostropovich and Bach. Not everyone will immediately appreciate the very resonant sound that emphasizes the cello's lower register. But after a few minutes your ears adjust, the music takes over, and nothing else seems important.
http://rapidshare.com/files/86908879/Rostropovich_-_Bach_Cello_Suites.part2.rar
Mstislav Rostropovich is one of the few musicians who can create a larger-than-life experience through the combined forces of exceptional music, a beautiful instrument, and uncommonly facile communicative skills. In his performances of Bach's transcendent masterpieces for solo cello, Rostropovich finds a perfect balance between a romantic, rhapsodic interpretation and one that emphasizes the purely formal "aridity" of Bach's structures. Although it's nearly impossible to isolate one or two highlights, the Sarabande and Prelude from Suite No. 5 are among the most profoundly moving cello performances you will ever hear--the closest we probably will ever come to experiencing through music the soul of both Rostropovich and Bach. Not everyone will immediately appreciate the very resonant sound that emphasizes the cello's lower register. But after a few minutes your ears adjust, the music takes over, and nothing else seems important.
Treasure Island - Keith Jarrett
http://rapidshare.com/files/86928332/Treasure_Island.rar
Originally an Impulse LP that surfaced on MCA as a straight reissue on CD, this fine recording features pianist Keith Jarrett's best regular group. Dewey Redman is heard from on tenor, bassist Charlie Haden , drummer Paul Motian and percussionists Guilherme Franco and Danny Johnson are superb in ensembles and guitarist Sam Brown guests on two selections. The emphasis is on the band's sound and Jarrett's rich melodies; he contributed eight originals to this enjoyable modern set.
Originally an Impulse LP that surfaced on MCA as a straight reissue on CD, this fine recording features pianist Keith Jarrett's best regular group. Dewey Redman is heard from on tenor, bassist Charlie Haden , drummer Paul Motian and percussionists Guilherme Franco and Danny Johnson are superb in ensembles and guitarist Sam Brown guests on two selections. The emphasis is on the band's sound and Jarrett's rich melodies; he contributed eight originals to this enjoyable modern set.
The Out Of Towners - Keith Jarrett
http://rapidshare.com/files/86918250/The_Out_of_Towners.rar
Keith Jarrett's "Standards Trio" with bassist Gary Peacock and drummer Jack DeJohnette has been so good for so long that they might be taken for granted, but this 2001 concert from Munich's State Opera shows their combination of depth and spontaneity can still surprise. Jarrett has a knack for marking his own path through familiar repertoire, from the playfully exuberant "I Can't Believe That You're in Love with Me" that opens the set to his deeply reflective solo version of "It's All in the Game." In between, the group's close-knit interplay enhances a limpidly beautiful version of "You've Changed," an up-tempo harmonic exploration of Cole Porter's "I Love You," and a hard-swinging account of Gerry Mulligan's "Five Brothers." The highlight, though, is the title track, a funky 20-minute tour de force that explores the blues from roots to branches.
Keith Jarrett's "Standards Trio" with bassist Gary Peacock and drummer Jack DeJohnette has been so good for so long that they might be taken for granted, but this 2001 concert from Munich's State Opera shows their combination of depth and spontaneity can still surprise. Jarrett has a knack for marking his own path through familiar repertoire, from the playfully exuberant "I Can't Believe That You're in Love with Me" that opens the set to his deeply reflective solo version of "It's All in the Game." In between, the group's close-knit interplay enhances a limpidly beautiful version of "You've Changed," an up-tempo harmonic exploration of Cole Porter's "I Love You," and a hard-swinging account of Gerry Mulligan's "Five Brothers." The highlight, though, is the title track, a funky 20-minute tour de force that explores the blues from roots to branches.
Death Of The Flower - Keith Jarrett
http://rapidshare.com/files/86892175/_1974__Keith_Jarrett_-_Death_Of_The_Flower.rar
Keith Jarrett's Death and the Flower is a beautiful work of art that slowly develops over time. It is only three tracks with the best being the 22 minute title track. The songs start out slow and peacefully build as time passes. This is not an album you can put on for a quick fix, but one that takes time to develop. This is a perfect album for a relaxing sunday morning. The use of the percussion on this album is extremely intriguing. It gives the album a very "organic" feel to it. I am just now getting into Keith Jarrett's body of work so I can't say how this compares to his other albums, but I have to recommend this album to people who are looking for something that is beautiful, peaceful, and intriguing. Keith Jarrett is accompanied by Dewey Redman on saxophone, Charlie Haden on bass, Paul Motian on drums, and Guilherme Franco on percussion.
Keith Jarrett's Death and the Flower is a beautiful work of art that slowly develops over time. It is only three tracks with the best being the 22 minute title track. The songs start out slow and peacefully build as time passes. This is not an album you can put on for a quick fix, but one that takes time to develop. This is a perfect album for a relaxing sunday morning. The use of the percussion on this album is extremely intriguing. It gives the album a very "organic" feel to it. I am just now getting into Keith Jarrett's body of work so I can't say how this compares to his other albums, but I have to recommend this album to people who are looking for something that is beautiful, peaceful, and intriguing. Keith Jarrett is accompanied by Dewey Redman on saxophone, Charlie Haden on bass, Paul Motian on drums, and Guilherme Franco on percussion.
The Judgement - Keith Jarrett
http://rapidshare.com/files/86899822/Keith_Jarrett_The_Judgement.rar
El Juicio is an excellent early Jarrett album and finds him in typically eclectic form with his classic American quartet. I nominate the opener, "Gypsy Moth," as the best piece on the record. Sounding a little like a more confident version of "Lisbon Stomp," from Jarrett's 1967 debut album Life Between the Exit Signs, Jarrett first whips up a rollicking theme on the piano and then switches to soprano sax towards the end, the rhythm section swinging hard throughout. "Toll Road" is more abstract, but the collapsing cymbal pattern paired with Charlie Hayden's pummeling bass lines creates an intriguing canvass for Jarrrett and Redman's sax improvisations. "Pre-Judgement Atmosphere" is a short percussion piece that manages to incorporate a steel drum into the mix. The title track is an ecstatic ten-minute free-improv wherein Jarrett pounds out and wails away (if you don't like Jarrett's wordless yelps, I'm living evidence that it is possible to get used to them, eventually). Melodic fragments are continually spun out and just as quickly squashed, and the whole band burns with a smoldering energy. "Piece for Ornette (Long Version)" is a tribute to the free jazz pioneer (and significant influence) Ornette Coleman. It's good, if a little too understated; Redman really shines on it, though. Jarrett has a sense of humor about it, as the following track is the twelve-second "Piece for Ornette
El Juicio is an excellent early Jarrett album and finds him in typically eclectic form with his classic American quartet. I nominate the opener, "Gypsy Moth," as the best piece on the record. Sounding a little like a more confident version of "Lisbon Stomp," from Jarrett's 1967 debut album Life Between the Exit Signs, Jarrett first whips up a rollicking theme on the piano and then switches to soprano sax towards the end, the rhythm section swinging hard throughout. "Toll Road" is more abstract, but the collapsing cymbal pattern paired with Charlie Hayden's pummeling bass lines creates an intriguing canvass for Jarrrett and Redman's sax improvisations. "Pre-Judgement Atmosphere" is a short percussion piece that manages to incorporate a steel drum into the mix. The title track is an ecstatic ten-minute free-improv wherein Jarrett pounds out and wails away (if you don't like Jarrett's wordless yelps, I'm living evidence that it is possible to get used to them, eventually). Melodic fragments are continually spun out and just as quickly squashed, and the whole band burns with a smoldering energy. "Piece for Ornette (Long Version)" is a tribute to the free jazz pioneer (and significant influence) Ornette Coleman. It's good, if a little too understated; Redman really shines on it, though. Jarrett has a sense of humor about it, as the following track is the twelve-second "Piece for Ornette
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